Go Gold for Childhood Cancer, because this shouldn't be something in our world

Top; Lily-Mae in full flight in the ballet studio earlier this year and bottom, a very sick Lily-Mae sleeping beside her brother Evan, as she tried to make her way through the horrible illness, which is Neuroblastoma (pictures courtesy of the Tiny Dancer, A Song for Lily-Mae Facebook page, with permission from Judith Sibley).



June 1, 2012 - this date may mean nothing to most, but to the Sibley, Morrison, Hayes and Quinn families in Ireland, it was the day that childhood cancer came crashing into our lives.

Childhood cancer, is, in and of itself, a term that should not exist, and it is one that should never be used glibly - it should always be accompanied by an ill feeling in the pit of your stomach, the knowledge that something, somewhere in the world has gone horribly wrong and that a parent somewhere is riddled with guilt, pain and anguish, which may never dissipate. 

On that awful day in June four years ago, we found out that adorable and care-free Lily-Mae had been diagnosed with Stage 4 Neuroblastoma - a litany of furious Google searches ensued, but the results posed more questions than they answered and as a family, we suddenly realised that besides offering 'thoughts and prayers', there was very little that we could do to help Lily-Mae, her brother Evan and her parents Judy and Leighton. 

Nobody ever thinks their child will be sick, just as nobody ever thinks that their spouse or loved one will have to make a claim on their life assurance. 

Throughout the month of September, the Go Gold for Childhood Cancer campaign will be going strong and last year, if you recall, a number of landmark buildings from all over the world, lit up gold in support of the campaign. 

This year, those behind the campaign are calling on people to 'Go Gold for Childhood Cancer Awareness' and the campaign runs from September 1-30. Funding for childhood cancer research and treatment centres is lagging far behind where it should be and just this week, this writer got a delivery from Crumlin to sell a book of raffle tickets (a car is up for grabs) to support fundraising for the Nazareth Unit in Crumlin.

While almost everyone is raising money for something these days, the thirty tickets were not hard to sell and were sold in a matter of days - not because there was the potential to win a car, but because it was a way to help sick children who need better healthcare facilities. 

In this day and age, with things like iPads for kids, TV's in every room and the internet on every device, it is a crying shame to think that people need to fundraise to upgrade something like a children's unit in Crumlin hospital. 

Anyone in Ireland who has been unfortunate enough to have a sick child, has probably darkened the doors of Crumlin hospital and while the reports of the friendly staff and wonderful doctors, are glowing, the hospital itself has come in for some harsh criticisms. 

When you support fundraising for things like Crumlin Children's Hospital or the Go Gold campaign, you are not only giving money, you are giving children and their families a tiny beacon of hope and a light of the end of their very bleak tunnel. 

Throughout this month, I will be writing about childhood cancer to raise awareness about the Go Gold campaign and I will be telling my story about childhood cancer, how we coped with Lily-Mae's diagnosis, how we saw the lively and bubbly little girl turn into a mere shadow of herself and how there were bleak days and weeks, but also moments of sheer giddiness, utter ridiculousness and tiny little drops of happiness in an otherwise unthinkable time. 

A few horrifying facts and figures; 

• Childhood cancer is the number one killer of children. 
• One in every 330 children will develop cancer before they reach the age of 19. 
• One out of every five children diagnosed with cancer, will die.
• Cancer in children strikes regularly, randomly and without mercy. 

For more information, Like the Go Gold for Childhood Cancer Awareness Facebook page or follow them on Twitter. 

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Review of The GAA & Revolution in Ireland 1913-1923 Edited by Gearoid O Tuathaigh

**** A very good read, which is hard to put down

                       

The ten-year period between 1913 and 1923 was a tumultuous one and a period in Irish history, which was fraught with tension and rife with change. This book, edited by Gearoid O Tuathaigh gives a snapshot of those times and what they entailed for the people of Ireland at the time.

This book would appeal to both history buffs and GAA heads alike, as it brings together a riveting collection of essays by leading writers in the fields of modern history and the history of sports.

Gearoid is Emeritus Professor in History at NUIG, is the former President of NUIG and is currently a member of the Council of State.

The book is unique and interesting, in that it examines the link between the world of conflict and war and the realm of sports.

It looks at how the GAA, after 1916, began to align the organisation more closely with the new emerging nation and the early reporting of GAA matches and events also give an insight into the early days of sports media and coverage of sporting events in our national news.

Women’s sports and camogie also gets a look in, as the global history of women’s sports is examined and dissected.

As well as pictures, some of which have never been published or seen before, there are also wonderful reproductions of artefacts and mementos, such as receipts, invoices, team sheets, All-Ireland teams and letters.

To bring the political world together with the sporting one, there is one picture which causes the two worlds to collide and shows how much they both influenced each other – a picture of Eamon de Valera throwing in the ball to start the 6 April 1919 Gaelic football match between Wexford and Tipperary in Croke Park, in aid of the Irish Republican Prisoners’ Dependant's Fund. 

Contributors include the editor Gearoid O Tuathaigh, Paul Rouse, Paraic Duffy, Cormac Moore, James McConnell, Ross O’Carroll, Donal McAnallen, Richard McElligott, Mike Cronin, Mark Reynolds, Eoghan Corry, Paul Darby, Sean Moran and Diarmaid Ferriter.

This book is €29.99 and is available online and from all good book stores.

A quick guide to Quinn’s Quandries star ratings;

***** A book so good, you don’t just read it, it takes over your life and you tell everyone you meet to read it immediately.

**** A very good book, which is hard to put down.

*** A decent read, but nothing to get too excited about.

** It would help you to pass away a few hours.

* Wouldn’t bother reading all of it.

Don't just point and shoot - some basic photography tips and hints

When I finished my MA in Journalism more than five years ago and set off enthusiastically into my first job in The Evening Echo in Cork (Ireland), I was lucky to be going into a job that matched my training (and some), but since then every single job has brought with it more duties and extended roles.

Now, instead of being the journalist and features writer, I am in The Avondhu in Mitchelstown where I source and write the stories, decide where they will go in the paper, secure advertising if appropriate, take pictures, sub-edit, proof read and I also liaise with clients and customers to build professional relationships.

One of the biggest shocks of the extra duties that I was given when I first came to The Avondhu almost four years ago was that I was handed a very professional and daunting look camera and after I was given some perfunctory tips, it was a case of point, shoot and make sure you get people's names for captions.

When I look back on my first pictures, I don't cringe, but I do say a silent 'thank God' that my writing was good enough to prop up my very poor photography skills.

One of the main problems was that I was a trained journalist, but I also had to take photographs - now I still consider myself a journalist first and a photographer second, but I love taking pictures now and I truly appreciate what they can add to my stories.

My interest in photography has developed so much that I will now catch myself saying things like 'hold on, let me get my phone' so that I can freeze a perfect moment in time or capture that once in a lifetime flicker of an eye.

In light of all of this and to get to my point, I thought I would share a few tips that might help people, who like me had to take on something like this without any formal training or for people who want to use pictures to enhance their own writing and works.

TIPS AND HINTS;
- When taking scenery shots, use the third rule, which gives the image nice symmetry and makes it more aesthetically pleasing. Basically, make sure that each element takes up a third of the shot.

- If you are taking a picture of between one and four people, take it like a portrait and go full length, but make sure that the background is quite plain or that it enhances the picture (a nice scenic view or a blank canvas like a wooden door or painted wall all work well as backdrops and that is worth remembering - it is a backdrop, so don't let the scenery out do the subjects), otherwise take it landscape and just take in their head, shoulders and a little bit of upper body.

- For larger group pictures, avoid pictures that have everyone in the same position looking quite static and almost bored. Instead, make it more interesting by getting them to form a semi-circle or soften the shot by getting the people at each end to turn in slightly towards the others.

- To capture a relaxed and natural picture, tell a joke first and get them to relax - if you can capture that natural and often goofy smile, your picture will tell its own story.

- Avoid staging pictures in front of windows, large glass doors or under bright lights, as it will distort your subjects' faces.

- For children, get them to look at the lens and tell them a little story about a fairy living in the camera - it will capture their imagination and also get them to stay still for the half a minute that you might need. A double click function also works well here, as the camera will take four or five shots for every image and it eliminates the problems of children blinking, poking each other or gazing off into the distance. If you are not doing this professionally, but only taking pictures of little cousins or nieces or nephews, it is unlikely you would have things like toys, props and other accessories that professionals would have on hand for these shoots.

- Even if you are not a naturally organised person, get into the habit of creating folders on your computer and categorise these into the year, month and event using keywords that you will later associate with the photoshoot. This will not only help with archiving, but it will also make referencing very easy. I also format my SD card each week after I have saved the pictures onto my desktop and I keep a spare card in my camera bag. On that note, I also keep a spare notebook, spare batteries for my flash and spare pens (I should keep a pencil too, as a pen won't work if I'm outside in the rain) in the bag as well.

- With a fancy and advanced camera, it is easy to get bogged down by detail and get carried away worrying about the tiny features that you will probably never need to rely on. My advice here is to get comfortable with the equipment and then just set everything to Auto and let the camera do all of the thinking until you are more savvy with it.

- Finally, please don't just point and shoot - if you do, your pictures will reflect that. Take time with the pictures and give them the effort and attention that they deserve.